SAHABAT SEJATI
Sahabat sejati,
Paling sukar dicari.
Akhlak mulia hiasan diri,
Tingkah lakunya menarik hati.
Hatinya luhur berbudi bahasa,
Tiada dendam apalagi curiga.
Andainya perselisilhan terjadi,
Dia hanya mendiamkan diri.
Bertolak ansur sesama rakan,
Bantu-membantu jadi amalan.
Adap sopan kepada orang tua,
Hormati guru juga ibubapa.
Terus berusaha hingga berjaya,
Untuk mencapai cita-cita.
Sentiasa bersedia menhadapi cabaran,
Tabah dan cekal dalam dugaan.
Elak diri daripada perkara negatif,
Sentiasa berfikiran positif dan kreaatif.
Jauhi larangan patuhi arahan,
Itulah pekerti insan budiman.
Akur perintah ibubapa,
Taat perintah guru semua.
Tidak mudah berputus asa,
Sekali gagal terus berusaha.
ITULAH SIFAT SAHABAT SEJATI,
MAHU DIMILIKI,CUBA DICARI...
Saturday, June 27, 2009
Monday, June 22, 2009
MY GADGET(Nikon S600)
FEATURES OVERVIEW
The S600 features a 10 megapixel sensor, 2.7-inch LCD monitor, optical Vibration Reduction (VR – Nikonspeak for image stabilization), ISO sensitivity to 3200, a 4x optical zoom lens that provides a 28-112mm focal range, automatic in-camera red-eye correction, face-priority auto focus, and Nikon's shadow/highlight balancing D-Lighting tool. The camera has Nikon's new EXPEED processor technology, and there are approximately 45MB of internal memory. The camera also accepts SD memory cards. Nikon includes a USB cable, A/V cable, wrist strap, rechargeable battery and charger, and CD-ROM software with each camera.
There are four primary shooting modes:
Auto: Camera nominally handles all camera settings, but user may set functions such as flash, macro mode, exposure compensation, white balance, ISO sensitivity, color options and AF area to suit personal preferences
High ISO: Camera automatically adjusts ISO up to 2000 when shooting in low light to help reduce blurring and maintain the ambience of the shot; user may set flash, macro, exposure compensation, white balance, color options and AF area
Scene: Camera settings are automatically optimized for any of the 14 subject types selected; the user may have some limited adjustments available depending on the particular scene.
Movie: Records movies at either 640x480 or 320x240 at 30 fps
Nikon was one of the first to adopt a dynamic range in its compact camera range, and the D-Lighting function, selectable only as a in-camera post-shot effect in the case of the S600, does a nice job with contrast control and shadow detail enhancement. Here are original and post-processed images using the D-Lighting tool:
Original image (view large image)
With D-Lighting (view large image)
For a detailed listing of specifications and features, please refer to the specifications table found at the bottom of the review.
FORM, FIT AND FEEL
Like all current S-series models, the S600 fits the "small deck of cards" template so common to compact digitals.
Styling and Build Quality
The rectangular metal body of the S600 has gently rounded edges and a subtle contour on the back of its otherwise standard shape.
(view large image)
Build quality appears good, with the camera's brushed and matte grey finish complemented by bright and matte silver accents.
(view large image)
Ergonomics and Interface
The camera's small size makes it easy to form a grip, either one or two-handed, without interfering with camera systems such as the flash or self-timer/AF assist lamp.
(view large image)
Control layout is simple and becomes quickly intuitive, with all controls residing along the right rear of the camera body or on the top. User modifiable settings such as flash, macro, self-timer and exposure compensation may be accessed quickly from the rotary multi selector on the camera back.
Display/Viewfinder
The S600's 2.7-inch monitor is of 230,000 dot composition, and like most monitors in this class is viable for image composition or review in good light.
(view large image)
Adjustable for five levels of brightness, the monitor can be difficult to use in bright outdoor light; monitor coverage is about 100 percent for shooting or review.
There is no viewfinder.
PERFORMANCE
After reading the S600 press release I was looking forward to seeing just what the camera had in its performance bag of tricks. Unfortunately, this proved to be a somewhat mixed bag of goods.
Timing and Shutter Lag
The S600 turns on in .7 seconds per Nikon, but I had a live image on the monitor in less than that time – more like .5 seconds. However, I found the shutter button didn't come to life until about two seconds had passed, which made that the earliest I could try to acquire focus. You can start composing a shot quickly with the S600, but then you have to wait before you can take the shot. I remembered (fondly) the performance of the Nikon S500 – power on in about .6 seconds, another .4 or .5 to acquire focus, and near instantaneous shutter firing. It's too bad Nikon didn't put some of those parts into the S600.
Focus acquisition times ran about .5 seconds in good light, a bit longer in dim conditions (there is an AF assist lamp). After the initial acquisition, if your next shot is at about the same distance focus acquisition time drops.
Shutter lag was a disappointing .15 seconds in the best of circumstances – I reviewed this camera alongside its S210 sibling (which produced an excellent .05 shutter lag), and I literally had to force myself to hold the S600 steady after pushing the shutter button and waiting for the shot to be taken. With the S210 it was push and move on because the shot was taken.
Single shot-to-shot times (shoot, write, acquire focus, and shoot) were about 2.6 seconds with both a SanDisk ExtremeIII card and a standard SanDisk; the camera took seven images in five seconds with either card in continuous shooting mode, so it appears the S600 did not benefit from improved in-camera write speeds with a high speed card.
Lens and Zoom
The S600's 4x optical zoom ranges from 28 to 112mm, with a fairly fast f/2.7 maximum aperture at wide angle, and a fairly slow f/5.8 at telephoto. There is a 4x digital zoom, which may be enabled via internal menu (default setting is off). The 28mm wide angle end is handy for capturing sweeping vistas or getting close to large subjects. Here's what the focal length range looks like:
Wide-Angle (view large image)
Telephoto (view large image)
Auto Focus
The S600 provides four AF area options: face priority (the default setting), which switches to auto if the camera doesn't recognize any faces; auto, which will select the focus point from one of nine areas which contains the object closest to the camera; manual, which allows the user to designate the focus point from among 99 areas; and center, which focuses on the center of the frame.
My personal preference was for center-area AF, which allowed me to select the subject for each image, and by continuing to hold the shutter button halfway re-compose the shot if necessary while maintaining focus before shooting.
Flash
Flash performance in the S600 was good, with the flash being ready to fire again in good lighting conditions as soon as the camera could take another shot and had acquired focus – in the vicinity of 3 seconds. Full discharges in pitch black conditions required about five seconds between shots, but this is primarily due to the camera needing to acquire focus in a virtual absence of light – I couldn't get the camera to fire the flash (even if fully charged) unless the image was in focus.
Red-eye reduction worked well, but when it didn't, the automatic in-camera red eye correction fixed any shots that slipped by.
(view large image)
(view large image)
While red-eye was never a problem, the S600 didn't seem quite as adept in handling so-called "pet-eye," the green or yellow reflections often seen in the eyes of cats and dogs.
Image Stabilization
Unlike the recently reviewed Nikon Coolpix S210, the S600 has true optical VR, rather than Nikon's processing-based electronic VR system. VR is available in all shooting modes (the default setting is on), but Nikon recommends turning VR off if the camera is mounted on a tripod.
Battery Life
Nikon rates the S600 battery for about 190 shots. I went out with a fully charged battery each day and have no independent evaluation on the Nikon figure, but the S600 sounds like a good candidate for a couple of spare batteries for day-long shootings.
IMAGE QUALITY
The S600 produced nice quality images at default settings that are on a par with any camera I've tested in this class.
(view large image)
Images captured by the S600 tended to be accurate and pleasant with regard to color across a range of lighting conditions, due in part to a good auto WB function (see below).
(view large image)
Exposure, Processing and Color
The S600 allows the user to select matrix or center-weighted metering options, with matrix the default setting. Matrix worked well across a range of lighting conditions. I didn't get a chance to shoot surf on a sunny day, which is my usual high contrast metering test, but I would suspect the S600 might lose some highlights in extremely high contrast situations. Exposure compensation is quickly and easily available in the S600 to deal with extreme situations.
Standard color (the default setting) was pleasant and accurate, but there are vivid, black & white, sepia, cyanotype, and pastel options available. I didn't see a lot of difference between standard and vivid, so I tended to leave the camera in vivid. Here's what the various color options look like:
Standard (view large image)
Vivid (view large image)
Black and White (view large image)
Sepia (view large image)
Cyanotype (view large image)
Pastel (view large image)
White Balance
Auto WB is the default setting and worked well with every light combination I tried – outdoor, flash, incandescent, and fluorescent. It's always good to try and match WB to your particular lighting conditions with either a custom setting or camera presets, but my experience with the S600 would leave me very tempted to just leave the default setting in place.
Lens Faults
There is some barrel distortion (straight lines bow out from center of image) at the wide end of the lens.
(view large image)
Chromatic aberration/purple fringing only becomes a factor at 200-percent enlargements and over in most images, but there were instances of images with fringing apparent at levels that would probably impact normal-sized prints. The barrel distortion was not readily apparent in most images, but could be apparent in close scrutiny of images with straight lines in their composition. Overall, lens shortcomings were on the relatively minor side and not uncommon for cameras in this class.
Sensitivity and Noise
The S600 features a sensitivity range of ISO 100 to 3200, with noise performance that at first appears typical for cameras in this class.
ISO 100 (view large image) 100% crop
When viewing cropped images, 100 and 200 are quite good and hard to tell apart, 400 picks up a hint more noise and there is a more noticeable, albeit slight jump in noise from 400 to 800, but 800 is still not bad at all. There is a larger gap between 800 and 1600, but unlike most compact digitals, my eye tells me the biggest jump in noise is from 1600 to 3200 – it's been my general experience that the largest apparent increase in noise tends to come between the next to the last ISO increase (the 800 to 1600 step on the S600), not the last.
The full size images are not bad across the entire range – and better, I think, than their cropped views would suggest at the 1600 and 3200 sensitivity levels. Overall, I'd place the S600 a bit above most competitors in this class for noise performance, but not on a par with devices (the Fuji SuperCCD cameras, for instance) that are known for excellent high ISO performance.
Additional Sample Images
(view large image)
CONCLUSIONS
With all the emphasis in Nikon's S600 press release about fast performance, and a good shutter lag response from its low cost sibling, the S210, I was prepared to be impressed by the S600. Unfortunately, I'm still waiting. For some reason, the S600 didn't get the excellent shutter lag performance of the cheaper S210 (and the now-discontinued S500 remains my personal favorite compact digital for shutter lag), so it's not like Nikon doesn't have the means to provide a good shutter response in this class of camera. Frankly, the shutter lag takes the luster off an otherwise fairly capable camera, especially when you realize Nikon can (and has) done better.
There's still a lot to like with the S600 – good color and image quality, optical VR, good ISO performance, a novice-friendly layout, and a wider than usual 28mm lens to capture sweeping vistas or big subjects up close. It would just be more likeable with a dose of S500 genes in the bloodstream, or at least an S210 shutter lag transfusion.
Pros:
28mm wide angle lens
Good color fidelity and image quality
Good ISO performance
Optical VR
Cons:
Disappointing shutter lag
Quick start up time nullified by wait for shutter to become active
Buying Choices for the Nikon Coolpix S600
TigerDirect.com $249.99CompUSA $249.99Buydig.com $249.00
view detailed pricing from 25 stores starting at $234.00rate product
Nikon COOLPIX S600 Specifications:
Sensor
10.0 megapixel, 1/2.33" CCD
Lens/Zoom
4x (28-112mm) zoom, f/2.7-5.8
LCD/Viewfinder
2.7", 230K-dot TFT LCD
Sensitivity
ISO 100-3200
Shutter Speed
Not Specified
Shooting Modes
Auto, High ISO, Scene, Movie
Scene Presets
Portrait, Night Portrait, Sports, Landscape, Party, Beach/Snow, Sunset, Dusk/Dawn, Night Landscape, Museum, Fireworks Show
White Balance Settings
Fluorescent, Incandescent, Flash, White Balance Preset, Auto, Daylight, Cloudy
Metering Modes
Not Specified
Focus Modes
Face-Priority AF, Auto AF
Drive Modes
Normal, Burst
Flash Modes
Slow sync, Red-eye reduction, Red-eye reduction with slow sync, Flash cancel/ flash off
Self Timer Settings
10 seconds, 2 seconds, Off
Memory Formats
SD, SDHC
Internal Memory
45 MB
File Formats
JPEG, AVI
Max. Image Size
3648x2736
Max. Video Size
640x480, 30 fps
Zoom During Video
Not Specified
Battery
Rechargeable lithium-ion, 190 shots
Connections
USB 2.0, AV output, DC input
Additional Features
Optical Vibration Reduction image stabilization, D-Lighting, In-Camera Red-Eye Fix
Categorized as: Nikon
The S600 features a 10 megapixel sensor, 2.7-inch LCD monitor, optical Vibration Reduction (VR – Nikonspeak for image stabilization), ISO sensitivity to 3200, a 4x optical zoom lens that provides a 28-112mm focal range, automatic in-camera red-eye correction, face-priority auto focus, and Nikon's shadow/highlight balancing D-Lighting tool. The camera has Nikon's new EXPEED processor technology, and there are approximately 45MB of internal memory. The camera also accepts SD memory cards. Nikon includes a USB cable, A/V cable, wrist strap, rechargeable battery and charger, and CD-ROM software with each camera.
There are four primary shooting modes:
Auto: Camera nominally handles all camera settings, but user may set functions such as flash, macro mode, exposure compensation, white balance, ISO sensitivity, color options and AF area to suit personal preferences
High ISO: Camera automatically adjusts ISO up to 2000 when shooting in low light to help reduce blurring and maintain the ambience of the shot; user may set flash, macro, exposure compensation, white balance, color options and AF area
Scene: Camera settings are automatically optimized for any of the 14 subject types selected; the user may have some limited adjustments available depending on the particular scene.
Movie: Records movies at either 640x480 or 320x240 at 30 fps
Nikon was one of the first to adopt a dynamic range in its compact camera range, and the D-Lighting function, selectable only as a in-camera post-shot effect in the case of the S600, does a nice job with contrast control and shadow detail enhancement. Here are original and post-processed images using the D-Lighting tool:
Original image (view large image)
With D-Lighting (view large image)
For a detailed listing of specifications and features, please refer to the specifications table found at the bottom of the review.
FORM, FIT AND FEEL
Like all current S-series models, the S600 fits the "small deck of cards" template so common to compact digitals.
Styling and Build Quality
The rectangular metal body of the S600 has gently rounded edges and a subtle contour on the back of its otherwise standard shape.
(view large image)
Build quality appears good, with the camera's brushed and matte grey finish complemented by bright and matte silver accents.
(view large image)
Ergonomics and Interface
The camera's small size makes it easy to form a grip, either one or two-handed, without interfering with camera systems such as the flash or self-timer/AF assist lamp.
(view large image)
Control layout is simple and becomes quickly intuitive, with all controls residing along the right rear of the camera body or on the top. User modifiable settings such as flash, macro, self-timer and exposure compensation may be accessed quickly from the rotary multi selector on the camera back.
Display/Viewfinder
The S600's 2.7-inch monitor is of 230,000 dot composition, and like most monitors in this class is viable for image composition or review in good light.
(view large image)
Adjustable for five levels of brightness, the monitor can be difficult to use in bright outdoor light; monitor coverage is about 100 percent for shooting or review.
There is no viewfinder.
PERFORMANCE
After reading the S600 press release I was looking forward to seeing just what the camera had in its performance bag of tricks. Unfortunately, this proved to be a somewhat mixed bag of goods.
Timing and Shutter Lag
The S600 turns on in .7 seconds per Nikon, but I had a live image on the monitor in less than that time – more like .5 seconds. However, I found the shutter button didn't come to life until about two seconds had passed, which made that the earliest I could try to acquire focus. You can start composing a shot quickly with the S600, but then you have to wait before you can take the shot. I remembered (fondly) the performance of the Nikon S500 – power on in about .6 seconds, another .4 or .5 to acquire focus, and near instantaneous shutter firing. It's too bad Nikon didn't put some of those parts into the S600.
Focus acquisition times ran about .5 seconds in good light, a bit longer in dim conditions (there is an AF assist lamp). After the initial acquisition, if your next shot is at about the same distance focus acquisition time drops.
Shutter lag was a disappointing .15 seconds in the best of circumstances – I reviewed this camera alongside its S210 sibling (which produced an excellent .05 shutter lag), and I literally had to force myself to hold the S600 steady after pushing the shutter button and waiting for the shot to be taken. With the S210 it was push and move on because the shot was taken.
Single shot-to-shot times (shoot, write, acquire focus, and shoot) were about 2.6 seconds with both a SanDisk ExtremeIII card and a standard SanDisk; the camera took seven images in five seconds with either card in continuous shooting mode, so it appears the S600 did not benefit from improved in-camera write speeds with a high speed card.
Lens and Zoom
The S600's 4x optical zoom ranges from 28 to 112mm, with a fairly fast f/2.7 maximum aperture at wide angle, and a fairly slow f/5.8 at telephoto. There is a 4x digital zoom, which may be enabled via internal menu (default setting is off). The 28mm wide angle end is handy for capturing sweeping vistas or getting close to large subjects. Here's what the focal length range looks like:
Wide-Angle (view large image)
Telephoto (view large image)
Auto Focus
The S600 provides four AF area options: face priority (the default setting), which switches to auto if the camera doesn't recognize any faces; auto, which will select the focus point from one of nine areas which contains the object closest to the camera; manual, which allows the user to designate the focus point from among 99 areas; and center, which focuses on the center of the frame.
My personal preference was for center-area AF, which allowed me to select the subject for each image, and by continuing to hold the shutter button halfway re-compose the shot if necessary while maintaining focus before shooting.
Flash
Flash performance in the S600 was good, with the flash being ready to fire again in good lighting conditions as soon as the camera could take another shot and had acquired focus – in the vicinity of 3 seconds. Full discharges in pitch black conditions required about five seconds between shots, but this is primarily due to the camera needing to acquire focus in a virtual absence of light – I couldn't get the camera to fire the flash (even if fully charged) unless the image was in focus.
Red-eye reduction worked well, but when it didn't, the automatic in-camera red eye correction fixed any shots that slipped by.
(view large image)
(view large image)
While red-eye was never a problem, the S600 didn't seem quite as adept in handling so-called "pet-eye," the green or yellow reflections often seen in the eyes of cats and dogs.
Image Stabilization
Unlike the recently reviewed Nikon Coolpix S210, the S600 has true optical VR, rather than Nikon's processing-based electronic VR system. VR is available in all shooting modes (the default setting is on), but Nikon recommends turning VR off if the camera is mounted on a tripod.
Battery Life
Nikon rates the S600 battery for about 190 shots. I went out with a fully charged battery each day and have no independent evaluation on the Nikon figure, but the S600 sounds like a good candidate for a couple of spare batteries for day-long shootings.
IMAGE QUALITY
The S600 produced nice quality images at default settings that are on a par with any camera I've tested in this class.
(view large image)
Images captured by the S600 tended to be accurate and pleasant with regard to color across a range of lighting conditions, due in part to a good auto WB function (see below).
(view large image)
Exposure, Processing and Color
The S600 allows the user to select matrix or center-weighted metering options, with matrix the default setting. Matrix worked well across a range of lighting conditions. I didn't get a chance to shoot surf on a sunny day, which is my usual high contrast metering test, but I would suspect the S600 might lose some highlights in extremely high contrast situations. Exposure compensation is quickly and easily available in the S600 to deal with extreme situations.
Standard color (the default setting) was pleasant and accurate, but there are vivid, black & white, sepia, cyanotype, and pastel options available. I didn't see a lot of difference between standard and vivid, so I tended to leave the camera in vivid. Here's what the various color options look like:
Standard (view large image)
Vivid (view large image)
Black and White (view large image)
Sepia (view large image)
Cyanotype (view large image)
Pastel (view large image)
White Balance
Auto WB is the default setting and worked well with every light combination I tried – outdoor, flash, incandescent, and fluorescent. It's always good to try and match WB to your particular lighting conditions with either a custom setting or camera presets, but my experience with the S600 would leave me very tempted to just leave the default setting in place.
Lens Faults
There is some barrel distortion (straight lines bow out from center of image) at the wide end of the lens.
(view large image)
Chromatic aberration/purple fringing only becomes a factor at 200-percent enlargements and over in most images, but there were instances of images with fringing apparent at levels that would probably impact normal-sized prints. The barrel distortion was not readily apparent in most images, but could be apparent in close scrutiny of images with straight lines in their composition. Overall, lens shortcomings were on the relatively minor side and not uncommon for cameras in this class.
Sensitivity and Noise
The S600 features a sensitivity range of ISO 100 to 3200, with noise performance that at first appears typical for cameras in this class.
ISO 100 (view large image) 100% crop
When viewing cropped images, 100 and 200 are quite good and hard to tell apart, 400 picks up a hint more noise and there is a more noticeable, albeit slight jump in noise from 400 to 800, but 800 is still not bad at all. There is a larger gap between 800 and 1600, but unlike most compact digitals, my eye tells me the biggest jump in noise is from 1600 to 3200 – it's been my general experience that the largest apparent increase in noise tends to come between the next to the last ISO increase (the 800 to 1600 step on the S600), not the last.
The full size images are not bad across the entire range – and better, I think, than their cropped views would suggest at the 1600 and 3200 sensitivity levels. Overall, I'd place the S600 a bit above most competitors in this class for noise performance, but not on a par with devices (the Fuji SuperCCD cameras, for instance) that are known for excellent high ISO performance.
Additional Sample Images
(view large image)
CONCLUSIONS
With all the emphasis in Nikon's S600 press release about fast performance, and a good shutter lag response from its low cost sibling, the S210, I was prepared to be impressed by the S600. Unfortunately, I'm still waiting. For some reason, the S600 didn't get the excellent shutter lag performance of the cheaper S210 (and the now-discontinued S500 remains my personal favorite compact digital for shutter lag), so it's not like Nikon doesn't have the means to provide a good shutter response in this class of camera. Frankly, the shutter lag takes the luster off an otherwise fairly capable camera, especially when you realize Nikon can (and has) done better.
There's still a lot to like with the S600 – good color and image quality, optical VR, good ISO performance, a novice-friendly layout, and a wider than usual 28mm lens to capture sweeping vistas or big subjects up close. It would just be more likeable with a dose of S500 genes in the bloodstream, or at least an S210 shutter lag transfusion.
Pros:
28mm wide angle lens
Good color fidelity and image quality
Good ISO performance
Optical VR
Cons:
Disappointing shutter lag
Quick start up time nullified by wait for shutter to become active
Buying Choices for the Nikon Coolpix S600
TigerDirect.com $249.99CompUSA $249.99Buydig.com $249.00
view detailed pricing from 25 stores starting at $234.00rate product
Nikon COOLPIX S600 Specifications:
Sensor
10.0 megapixel, 1/2.33" CCD
Lens/Zoom
4x (28-112mm) zoom, f/2.7-5.8
LCD/Viewfinder
2.7", 230K-dot TFT LCD
Sensitivity
ISO 100-3200
Shutter Speed
Not Specified
Shooting Modes
Auto, High ISO, Scene, Movie
Scene Presets
Portrait, Night Portrait, Sports, Landscape, Party, Beach/Snow, Sunset, Dusk/Dawn, Night Landscape, Museum, Fireworks Show
White Balance Settings
Fluorescent, Incandescent, Flash, White Balance Preset, Auto, Daylight, Cloudy
Metering Modes
Not Specified
Focus Modes
Face-Priority AF, Auto AF
Drive Modes
Normal, Burst
Flash Modes
Slow sync, Red-eye reduction, Red-eye reduction with slow sync, Flash cancel/ flash off
Self Timer Settings
10 seconds, 2 seconds, Off
Memory Formats
SD, SDHC
Internal Memory
45 MB
File Formats
JPEG, AVI
Max. Image Size
3648x2736
Max. Video Size
640x480, 30 fps
Zoom During Video
Not Specified
Battery
Rechargeable lithium-ion, 190 shots
Connections
USB 2.0, AV output, DC input
Additional Features
Optical Vibration Reduction image stabilization, D-Lighting, In-Camera Red-Eye Fix
Categorized as: Nikon
Friday, May 22, 2009
FC Barcelona History...
HISTORY OF FC BARCELONA
On November 29, 1899, Hans Gamper founded Futbol Club Barcelona, along with eleven other enthusiasts of 'foot-ball', a game that was still largely unknown in this part of the world.
He could never have imagined the magnitude of what that initiative would eventually develop into. Over more than one hundred years of history, FC Barcelona has grown spectacularly in every area and has progressed into something much greater than a mere sports club, turning Barça’s ‘more than a club’ slogan into a reality. Barça has become, for millions of people all around the world, a symbol of their identity, and not just in a sporting sense, but also in terms of society, politics and culture. Throughout the most difficult of times, Barça was the standard that represented Catalonia and the Catalan people's desire for freedom, a symbolism that has continued to be closely linked to the idiosyncrasy of the Club and its members to this day. Within the context of Spain, Barça is seen as an open and democratic club. And all around the world, Barça is identified with caring causes, and most especially children through its sponsorship agreement with Unicef. For a whole century, FC Barcelona has passed through moments of glory and pain, periods of brilliance and other less successful ones, epic victories and humbling defeats. But all these different moments have helped define the personality of a Club that, due to its peculiar nature, is considered unique in the world. With over one hundred years of history, there have naturally been many different periods, both in a social and a sporting sense. In the early years (1899-1922) , from the foundation of the club to the construction of Les Corts stadium, Barça was a club that had to distinguish itself from all the other football teams in Barcelona, to the point that it would come to be identified with the city as a whole. Barça soon became the leading club in Catalonia, and also associated itself with the increasingly growing sense of Catalan national identity. From Les Corts to the Camp Nou (1922-1957), the club went through contrasting periods. Its membership reached 10,000 for the first time, while football developed into a mass phenomenon and turned professional, and these were the years of such legendary figures as Alcántara and Samitier. But due to material difficulties and the political troubles of the Spanish Civil War and post-war period, the club was forced to overcome several adverse circumstances, including the assassination of president Josep Sunyol in 1936, the very person who had propagated the slogan ‘sport and citizenship'. But the club survived, and a period of social and sporting recovery materialised in the form of the Camp Nou, coinciding with the arrival of the hugely influential Ladislau Kubala. From the construction of the Camp Nou to the 75th anniversary (1957-1974) , Barça suffered mediocre results but was consolidated as an entity, with a constantly increasing membership and the slow but steady recovery, in the face of adversity, of its identity. A very clear sensation that was manifested for the first time ever in the words ‘Barça, more than a club’ proclaimed by president Narcís de Carreras. The board presided by Agustí Montal brought a player to Barcelona who would change the history of the club, Johan Cruyff. From the 7th anniversary to the European Cup (1974-1992) the club saw the conversion of football clubs to democracy, the start of Josep Lluís Núñez’s long presidency, the extension of the Camp Nou on occasion of the 1982 World Cup and the Cup Winners Cup triumph in Basle (1979), a major success not just in a sporting sense but also in a social one, with an enormous and exemplary expedition of Barça supporters demonstrating to Europe the unity of the Barcelona and Catalan flags. Cruyff returned, this time as coach, and created what would come to be known as the 'Dream Team' (1990-1994), whose crowning glory was the conquest of the European Cup at Wembley (1992), thanks to Koeman’s famous goal. From Wembley to Paris (1992-2006) was when the club’s most recent developments occurred in between its two greatest achievements, becoming champions of Europe. Josep Lluís Núñez’s long presidency came to and end, and the club displayed its finest potential during the celebrations of the club Centenary. Following on from Joan Gaspart (2000-2003), the June 2003 election brought Joan Laporta into office, and the start of new social expansion, reaching 150,000 members, and more successes on the pitch, including two league titles and the Champions League won in Paris. The grandeur of Futbol Club Barcelona is explained, among many other factors, by its impressive honours list. Very few clubs anywhere in the world have won so many titles. The Intercontinental Cup is the only major football trophy that has never made its way into the club museum, where the club's greatest pride and joy remain the two European Cups won at Wembley (1992) and in Paris (2006). These were Barça's finest hours on the continental stage, but the Club also has the honour of being the only one to have appeared in every single edition of European club competition since the tournaments were first created back in 1955. Barcelona's many achievements in Europe include being considered 'King of the Cup Winners Cup', having won that title a record four times. In addition, FC Barcelona also won three Fairs Cups (the tournament now known as the UEFA Cup) in 1958, 1960 and 1966. In 1971, Barça won that trophy outright in a match played between themselves, as the first ever winners of the competition, and Leeds United, as the last. But Barça not only rules in Europe, but also in Spanish competitions, specifically in the national cup, the Copa del Rey, which they have won 24 times, more than any other club. The Spanish League has traditionally been one of the competitions Barcelona has found the hardest to win, but especially thanks to some wonderful seasons in the 1990s, a decade when six championships were won, and two more championships in the last two years, Fútbol Club Barcelona has now won 18 Spanish League titles.
Monday, May 11, 2009
ESTADIO CAMP NOU
You can visit every corner of the stadium and get a first hand look at the places where day to day life takes place at the club and feel the magic of a five star venue. The Camp Nou Tour takes you through the past and present of an emblematic stadium for both Barça supporters and other football fans alike. Follow in the footsteps of the players that have made history, such as Kubala, Cruyff, Maradona, Guardiola and Ronaldinho and feel the passion of FC Barcelona as you visit each of the fascinating zones: the presidents box, the press area, the changing room area and then down the tunnel and onto the pitch where you can enjoy a panoramic view of the stadium and really sense the dream of every Barcelona supporter, to feel for a moment just what it would be like to be a Barça player. The Camp Nou Tour also includes a visit to the Club Museum, where you can spend as long as you like admiring all the different trophies, photographs and personal belongings of the legendary stars that have all helped make FC Barcelona what it is today. Entrance through gates 7 and 9. Boulevard Ticket Offices Audioguide If you like, you can try the audioguide system as you explore the Camp Nou and Museum at your own pace, thus making you sure you don?t miss a single detail and can hear some amusing anecdotes. The audioguide is available in seven languages: Catalan, Spanish, English, French, Italian, German and Dutch. Opening hours The tour is open until one hour before the museum closes.
Prices 2008 of Camp Nou Tour and Museum
ADULT
>8,50 €(museum only)
>17,00 € (Camp Nou tour & museum)
CHILDREN (from 6 to 13 years)
>6,80 € (museum only)
>14,00 € (Camp Nou tour & museum)
CHILDREN (less than 6 years)
>Free
>Free
MEMBER
>Free
>Free
Monday, May 4, 2009
My Biodata....
*Nama sebenar:Muhammad Hafiz bin Abd. Halim
*Nama samaran:Apit,Mat Cow(kt skolah)
*Tarikh Lahir:18 Oktober 1995
*Tempat Lahir:Seremban,Negeri Sembilan
*Anak ke:4 daripada 6 beradik
*Sekolah:SK Paroi Jaya,Seremban,N.S.D.K(2002),SK Paroi,Seremban,N.S.D.K(2002),SK Taman Tasik Jaya,Seremban,N.S.D.K(2003-2005),
SK Sungai Pasir Kechil,Sungai Petani,K.D.A(2005-2006),SK Haji Sulaiman,Kota Kuala
Muda,K.D.A(2007),Kolej Sultan Abdul Hamid,Alor Star,K.D.A(2008-sekarang)
*Minuman Kegemaran:Jus tembikai susu,karot susu,iced lemon tea
*Makanan Kegemaran:Masakan emak & western food
*Hobi:Main bolasepak,main game bola,TIDO...
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